The Cethramtu Raanigheacht Mor is one of the simpler Irish poetic forms. I am not exactly sure how to pronounce this one, so I am not even going to try. Like most Irish poetic forms, there is a rhyming scheme to follow. They also use cywddydd (harmony of sound) and dunadh.
Here are the rules:
- Each stanza is made up of a quatrain that contains four lines. The poem can consist of as many quatrains as you wish.
- Each line should be only three syllables.
- The first line and third line of each quatrain are unrhymed.
- The second and fourth line of each quatrain rhyme.
- Use of cywddydd (harmony of sound).
- The final syllable, word, or line of the entire poem should be the same as the entire poem begins (the poetic term for this is dunadh)
Here’s the syllable/rhyming scheme shown in a way that I find easiest to understand:
xxx
xxa
xxx
xxa
What is cywddydd or harmony of sound? It is the use of following poetic devices:
Alliteration, repeating the same first letter or sound at the beginning of adjacent words
Consonance, recurring similar sounds, especially consonants
Assonance, repetition of the sound of a vowel
Jason, thanks for introducing the design characteristics of one type of Irish poem. I have been away for a day so I am trying to catch up.
LikeLiked by 1 person
Of course! Thanks for reading 😁
LikeLiked by 1 person
[…] like the “Ae Freislighe” form, the “Aisling” poem, and even the “Cethramtu Rannaigheacht Mor” form. I want to share information about the form, syllable, rhyming structure, lines per […]
LikeLiked by 1 person